bayou state

Sorry about the lack in updates in this: my little part of the blogosphere, but quite honestly I just haven't been shooting much lately. Been too busy working for The Man. Today, though, I embark on another trip to the great state of Louisiana for a bridal shoot. Maybe you'll see some more from the Louisiana Project as well. We'll just have to wait and see what I find. This image will carry me through the weekend, I'll post something at the beginning of next week!

overpass

Another shot of an overpass taken with my Mamiya C330 on a particularly eventful morning. I was out looking for a shot that was a bit abstract but still had strong lines that filled up the entire frame. I took about five or six photographs, this is my favorite. I had the negative scanned, converted it to sepia in photoshop, sharpened it up to make it look real gritty, and increased the contrast just a bit.

martinis

Originally taken with a Polaroid sx-70 film camera, I scanned the Polaroid into photo shop and applied a diffusion type filter just to make the overall feeling more ethereal. The blue tone though was not photo shopped at all. It was shot late in the evening using window light only. Again, just an old favorite photo I took as the result of sheer boredom.

Shazia

A favorite image of mine from an older wedding. We had gone outside to take pictures in front of the church. A windy day: her veil and hair went blowing everywhere. The results of these kind of moments are amazing. I love the little face she's making, which she was making at her husband who was standing just off to the side...

baby gator

I fell in love with this photograph long after I had taken it. Once I had gotten home, loaded it onto my computer, converted it to black and white, added a red filter, and then gave it a slight sepia tone, did this picture reveal itself...

jazz on the boulevard

This photograph was taken last year at the annual Jazz Fest held here in Fort Worth, Texas. I went with a buddy of mine and we just sat there on the grass in front of the stage and shot away. All was shot with ambient light, so the color photograph is saturated in red stage lights. I actually was conflicted about whether or not to make it black and white or leave the red. But, when in doubt, always go black and white. It's classical, it's vintage, it's always in style, much like the music itself. The one thing I would change if I could? I'd had moved that water bottle...eh, nobody's perfect.

the ol' front porch

Welcome back to the blog! I'm talking to myself mostly, and to try to get back into the swing of things here's a shot from my ongoing Louisiana project:

The moldy wicker chair caught my eye from the road as I passed this old home. I doubled back, pulled into the remnants of a driveway and parked my car. An elderly lady who lived next door was walking across her yard when I approached her to ask about the house, and if I could photograph it. Her power had just gone out, she explained, but the old house belonged to her and three other siblings...it had been her mother's home. The fact that the wicker chair still sits on the front porch just waiting for use is endearing, in a way, and very telling of life in the south.

so serious

No one takes playing in the sprinklers on a hot July afternoon as serious as this guy. Just look at that face...are you talking to him? Are you talking to him!?

rain drops

This image I like just because of the striking red flower and the empty space. Taken during my visit to Louisiana, but could've been taken anywhere, really. I shot a lot of film on this last trip so I'm just waiting to get that back from the lab. I'll still have something to post until then, though, so check back!

happy fourth!

I know it's late, but I spent the fourth in Louisiana and the fifth driving home. More pics from the trip will be here soon, but here's some to mark the occasion. I hope everyone had a relaxing holiday.